Zero Mark in Old Recife.
Recife is the home of several artists, musicians and writers. It is also home to the frevo, a regional dance and music, typical in carnival, and Mangue Beat, a type of Brazilian rock with mixture of Maracatu, Ciranda, Rap and other musical styles. During carnival, downtown Recife holds one of the most authentic and democratic celebrations: every year more than one and a half million people open the festivities of the Brazilian Carnival at Galo da Madrugada. Recife and Olinda combined have 25 museums, 38 art galleries, 2 Orchestra houses, 15 theatres, 1 opera house and more than 40 movie theatres.
Kahal Zur Israel Synagogue, the first synagogue in the Americas.
Museums
Main article: Pernambuco Museums
The Museum of Pernambuco State was housed in a 19th-century mansion in Recife, the "Museu do Estado de Pernambuco (MEPE)" dates back to 1929. From Masters who portrayed the Colonial period, as well as the Dutch invasion (1630) to 20th and 21st century, the museum comprises over 12 thousand art pieces.
Kahal Zur Israel Synagogue
Sinagoga Kahal Zur Israel, the historic Recife synagogue in Recife Antigo, is the oldest in the Americas, dating back to the 17th Century. Reopened recently, Kahal is an important part of Pernambuco's historic patrimony. It was founded by Jews who were once expelled from Portugal and settled in the Netherlands. Some of those Jews emigrated to "New Holland" when the Dutch invaded the Northeastern portion of Brazilian lands occupied by the Portuguese. When the Portuguese, helped by Portuguese-Brazilians, reconquered the land, Recife Portuguese-Brazilian Jews moved further north with the Dutch, and founded "New Amsterdam" on Manhattan Island. Thus, the first New York City synagogue was created in lower Manhattan by the founders of the first synagogue in the New World in Recife. It later moved to the Upper West Side, where it is still called "The Portuguese and Spanish Synagogue."
Ricardo Brennand Institute.
Gilberto Freyre Foundation
This farmhouse, from the 18th century, was Gilberto Freyre's old residence. Artworks, arts and crafts, book collections and objects that belonged to the Pernambucan writer and sociologist are displayed here.
Ricardo Brennand Institute
Set up in a reproduction of a medieval-style castle, there is a collection of pieces from the Dutch domination period in Recife, as well as daggers and armor from medieval Europe.
Recife City Museum
Located in a room in Cinco Pontas Fort (the five-pointed Fort), it houses pictures, reproductions of old paintings and objects that encapsulate Recife since the period of Dutch rule.
Cinema
Santa Isabel Theater.
Main article: Recife Cinema Festival
Also known as Recife Audiovisual Festival or Cine-PE, Recife Cinema Festival is a competitive film and audiovisual festival that is held in Recife. It is dedicated to the Brazilian and state production of feature & short films; as well as videos and documentaries. It was founded in 1997 by the Alfredo & Sandra Bertini, who have been the directors since then. Between 1997 and 2008, 1806 films (through either competitive applications or National & International invitations) of all types and genres for a public of over 250,000 people have been a part of it.
Recife and consequently Pernambuco has a tradition in the Brazilian film making history. In the pioneer times of the Brazilian cinema emerged the Regional movements. One of those, was designated Ciclo de Recife (Recife cycle), between 1922-1931. Despite adverse conditions, during this cycle was realized in Recife 13 feature films (usually about drama & Romance) and 7 realistic films (usually ordered by authorities to show their public works). Despite pervasive influence of U.S. and European cinemas in the silent film times, the Recife cycle was one of the most important, regional and produtive of them. One of the most important movie was Aitaré da Praia, which is recognized for pioneering the rise of regional themes (1925). Anothers large successful films was Retribuição (1923) and A Filha do Advogado (1926). Another important phase of the Pernambuco/Recife film history was in the 1970s with a movement called Super 8, often used for home videos and documentaries realized by students, curious and aspirant film makers, due to the utilization of 8 mm film, proportionated by the new technology released by Kodak.
Cuisine
Restaurant in Recife.
Recife cuisine is the cuisine of its region, Pernambuco and the Northeast, and the culinary influences of the area can be traced to a dynamic assortment of cultures: the Portuguese, Dutch, Spanish, Moors, Africans and Indigenous. Many dishes come with a delicious coconut sauce, palm oil (dendê) and feature corn, manioc roots, yam, fresh seafood (shrimp, crab, lobster cooked with exotic sauces) and native fruits. Grilled meats are also big here, especially goat and beef dishes.
The typical regional main dishes include caldeirada (seafood stew with octopus cooked with various spices and coconut milk, may be served with white beans or farofa), feijoada Pernambucana (made with brown beans instead of black), sarapatel, buchada (goat stew), dobradinha (bean stew), roast goat, mão de vaca (cow's foot stew), Rabada (ox tail stew with manioc flour), cozido Pernambucano (beef stew), chambaril, galinha de cabidela (chicken in blood sauce), peixada Pernambucana (fish stew), macaxeira com charque (cassava with beef jerky), quiabada (okras with beef), feijão com arroz (rice and beans), guaiamuns (giant crabs) and one of the most traditional dish, is Carne-de-sol (Sun-dried beef), which consists of beef dried in the sun and usually served with green beans.
For dessert, it has bolo de rolo (cake roll), cake Souza Leão, cartola (top hat cake) which consists of fried long bananas with cheese topped with cinnamon and sugar. The diversity continues for the breakfast as one person can find cuscus of sweet corn or manioc, yams and cassava with charque (corned beef or beef jerky), sweet potato, goiabada, fried long banana, mugunzá, regional fruits, bread, tapioca, rice pudding, porridge, yogurt, queijo coalho, corn bread, hominy and pamonha. This meal is often accompanied by coffee and/or milk and juices from regional fruits such as cashew, pineapple, mangoes, acerola, guava, passion fruit, umbu, hog plum, pitanga, jackfruit, orange, avocado and the regional most famous caldo-de-cana and água-de-coco juices.
According to Abrasel (Brazilian Association of Bars & Restaurants), Recife has more than 1,700 bars and restaurants which serve regional (partially listed above), Brazilian (such as moqueca, bobó de camarão, açaí) and International dishes from all over the world, which has made it the first gastronomic pole of the Northeast and the third one in the whole country after São Paulo and Rio.
Carnaval/Carnival
Main article: Brazilian Carnival
Galo da Madrugada.
The four-day period before Lent leading up to Ash Wednesday is carnival time in Brazil. Rich and poor alike forget their cares as they party in the streets. Pernambuco has large Carnival celebrations with more than 3000 shows in the street historic center performed for over than 430 local groups, including the Frevo, typical Pernambuco music. Another famous carnival music style from Pernambuco is Maracatu. The cities of Recife and Olinda hold the most authentic and democratic carnaval celebrations in Brazil. The largest carnival in Brazil is Galo da Madrugada, which takes place in Downtown Recife on Carnival Saturday. Another famous event is the "Noite dos Tambores Silenciosos." Carnival Recife's joyous Carnival is nationally known, attracting thousands of people every year.
Frevo was included on the UNESCO's list of intangible heritage.
The party starts a week before the official date, with electric trios "shaking" the Boa Viagem Neighborhood. On Friday, people take to the streets to dance to the sound of frevo and to dance with maracatu, ciranda, caboclinhos, afoxé, reggae and manguebeat groups. There are still many other entertainment poles spread out around the city, featuring local and national artists. One of the highlights is Saturday when more than one and a half million people follow the Galo da Madrugada group. Everyday, there is the Night of the Silent Drums, on the Pátio do Terço, where Maracatus honor slaves that died in prisons.
"Frevo" was born from the confluence of European and Afro-Brazilian cultures, as probably did all the other musical genres consolidated in Brazil. Historians from Pernambuco say that, before the term appeared in Recife's 'Jornal Pequeno', it was already heard and danced in a symbiosis of polkas, 'modinhas', 'dobrados' e 'maxixes' e 'jogos pastoris' (stick and rope formations) along the streets of Pernambuco's capital.
The music bands (civilian or military) of the time helped giving the sound the defining character we have come to know as the Frevo, a musical mass defined by the brasses. About the Street-Frevo, conductor Guerra Peixe said once that "it is the only popular genre that does not admit the 'play-by-ear composer'. He was referring to the technical hardship of this kind of music, and stressing the role of conductors who led the 'frevistical' troupes.
